“The art, such as it is, comes into existence only in the moment of its own disappearance; afterwards it will be invisible—except to the spirits” – Peter Lamborn Wilson
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On May 15th 2010, Peter Lamborn Wilson, known to many as Hakim Bey, completed another happening in a series of events aimed at re-enchanting the landscape of forgotten or not-yet-revealed sacred places in upstate New York. These acts of “Endarkenment,” a term Peter uses to mean “fear & respect as well as love for Nature,” are the culmination of his last ten years of research in Ulster County and the surrounding areas. He’s putting the magick he dug up back into the land.
Peter has called this a “temporary landscape installation piece.” It is art that disappears and defies a fetishized place on the gallery wall. While it bears a resemblance to landscape art, it is more than that, for its goal is to enact the magick of enchantment on the land where each work is performed. The documentation of each of these works includes a hand-written essay, and this May 15th working also featured a large storyboard with pictures and photographs significant to the occasion.
After Peter’s short talk about his research leading up to this event, a few helpers went ahead to make preparations, followed by Peter and his large box labeled “Jukes.” Slowly, the rest of us followed in single file along the narrow towpath where mules used to tread, hauling boats, when the Delaware and Hudson Canal was operational.
In my understanding of it, there were three main groups called forth for reawakening in this work:
one group that has already disappeared, one that is disappearing, and one that now returns.
The group that has already disappeared is known as the Jukes, or at least that’s the name that flawed social scientists gave to this now infamous community of families when they were the target of eugenics studies in the 1800’s. The flaws in these studies have since been recognized, but what still remains fascinating about the Jukes is the reason that they were targeted for such studies to begin with: they were what Peter calls, “a drop-out society,” not unlike the modern day Ramapough Mountain Indians from New Jersey, who were the subject of the recent New Yorker article “Strangers on the Mountain.” But the Ramapough Mountain Indians, or “Jackson Whites,” as they have been called, have kept their society, even with the skyscrapers of New York threatening on the horizon. They have also kept their mountain – even with the enduring effects of the toxic waste that the old Ford factory dumped on it decades before. The Jukes have not been so lucky – if you can call it luck. While descendants of the Jukes surely still exist, their isolated drop-out community has vanished, and they seem a distant legend in the Ulster County of 2010. All that remains of the Jukes today can be found in a poorhouse graveyard in New Paltz that was re-discovered in 2001, and in the records kept by the poorhouse and those in the archives of the SUNY Albany library. The once vibrant living community of Jukes has now vanished.
The second group, the group that is in the process of vanishing, is the bat community. All along the East Coast and into the Midwest, bats have been found dead in the hundreds of thousands. The bats are dying of “white-nose syndrome,” so named for the white fungus, Geomyces destructans, that can be seen on the muzzles of infected bats. It is still uncertain whether the fungus is the disease or whether it is able to take hold of an immune system already weakened by some other disease, though it seems that the fungus itself is the culprit. Bats are a major predator to insects, not just the insects that interfere with us on a hot summer day, but also those that interfere with the growth of crops. The threat of imbalance in the ecosystem, as well as the possibility of extinction for many species of bats, is a serious concern for us all as we watch this community of animals suddenly disappear.
The last group, the one that returns, is the cement itself, which was to be the bonding agent of all that went into this day’s working of Endarkenment. Standing on the aqueduct bridge abutment designed by Roebling in 1850 and overlooking the Rondout Creek, it seemed only fitting that the cement used for this occasion should be Rosendale Natural Cement, which was the business that founded the nearby town of Rosendale during the construction of the Delaware and Hudson Canal. The cement was first discovered in Rosendale during the excavation of the canal bed for the D & H Canal in 1825, and would later be used as one of the materials in the building of the canal itself. Rosendale Natural Cement was also used in the construction of Roebling’s aqueduct bridge, the remaining abutment on which we then stood, and in his later and more famous project, the Brooklyn Bridge. Despite the popularity of Rosendale Cement in the nineteenth century, the introduction of faster-setting Portland Cement meant the end of natural cement production in the twentieth century. By 1970, the last of the cement mines in Rosendale were closed. Natural cement was no longer available.
But in 2004, natural cement made a surprising return when Edison Coatings, Inc decided to resurrect production of Rosendale Natural Cement. The main reason behind this comeback was the need to restore buildings and monuments that were originally constructed using natural cement, though it turns out that Rosendale Natural Cement is actually “greener” than modern Portland Cement. Due to its much lower firing temperatures and the ease of grinding, natural cement requires less energy to produce.
As we gathered around Peter to watch this artwork in its vanishing, an artwork that is being done for those who vanish, the scent of copal mixed with other incenses – those he had burning on the rock before us, and those of the forest itself.
The artwork happened simply. There was little ceremony, perhaps to the confusion of some in attendance who had hoped for a chant or a reading. Peter presented items, one by one, and placed them into a hole in the ground that would be filled with cement. Among these were crystals, a fancy bat skeleton from Carolina Biological, the remains of the incense itself…it made me wonder: must things be buried that they may return? Do we re-enchant our environment when we return to the point zero?
For Peter’s magickal purposes in this act of art, I believe it was significant that the natural cement local to this area, the one element in the work that had gone from a state of disappearance into new life, should be the bonding agent for all the others. As the creation of this temporary installation piece was executed, we watched closely as items disappeared into the hole, as their physical passage from the box labeled “Jukes” into the hole before us disappeared into memory. All of this was then sealed by cement and rocks found around the site the day before. While the process of art may have vanished, the evidence of the act endures. Like the Brooklyn Bridge, the pedestal of the Statue of Liberty, and Grand Central Terminal, this momentary work was made using Rosendale Natural Cement. Its purpose is beyond that of a monument, but the place of Endarkenment was built to last just the same, even if it was now only visible to the spirits, as Peter says.
After we traveled back along the narrow towpath and out of the woods, a little boy who was playing pointed up to the sky, and we all saw it: a small rainbow showing itself faintly through the trees, though it hadn’t rained at all. The enchantment was complete, and the signs of this were not only visible to the spirits, but also to us.
*** Peter’s statements that have been quoted here are from the press release of a previous related event. You can read his writing on that event here:
Seeing as we’re friendly to the Zeitgeist Movement and the way that they’re thinking outside the box, we just wanted to re-post this statement here, which was released by Zeitgeist the other day in reference to the Gulf Coast catastrophe.
While the statement itself doesn’t say much about the ideas of the Movement as a whole, you can find out much more at their website:
(Venus, Florida- May 12rd, 2010)
On the Gulf Coast of the United States the
shock is now setting in for millions of American citizens as we now realize
the true extent of the damage caused by our desire for obsolete and
dangerous fossil fuels, and our perpetuation of an outdated monetary world
society, where the bottom line has always been profit at all costs, be it
human or environmental. It is time for a viable solution to deal with a
system hardwired for self destruction.
It is with that very unfortunate introduction that we, The Zeitgeist
Movement, now must enter the international conversation to express the need
for true change. That word is not some jingoist slogan devised by a focus
group, but the evident desire of the public for a meaningful transition out
of the destructive legacy, the burden of our past mistakes as a maturing
civilization. We only have one Earth; there is no reset button here.
We must break out of our established ideologies that have prevented
progress. Ending the political duality, economic stratification and false
divisions is key to overcoming our apparent historical bondage that says
the future we were promised must remain an elusive dream. We must now
rethink our society and outgrow those parts of it that serve to paralyze
As of Friday, April 30th it was reported by CBS News (US) that the spill
had spread to cover 2,100 square miles and was still spilling at a rate up
to 5,000 barrels (210,000 gallons) a day. As of today, there has been no
progress in stopping this catastrophe. This did not have to happen. It
happened because we continue to use an obsolete technology for the sake of
maintaining a profitable establishment. An establishment that perpetuates
vast inequality in its wages to its employees versus its core owners,
destroys fragile and vital eco-systems, and pollutes our air.
It is time for real change, not empty promises. No amount of socialism or
free market ideology will save us from ourselves, there needs to be a
fundamental re-write of what we think we know, to achieve a sustainable
Our generation has stood and watched as our planet has been raped and
pillaged, yet we do nothing. Our generation has stood and watched as our
government bailed out the very people who created this economic crisis, yet
we do nothing. Our generation has stood and watched as our rights have been
stripped away from us, and yet we do nothing. Our generation has stood and
watched as we have been handed the problems of the countless generations
before it, and we are preparing to do the same to the next generation, and
we do nothing.
Let us be the first generation to hand solutions to our children and our
children’s children. But we can’t do it alone. Let us break down the
barriers we have created amongst ourselves. We need all of you, every last
one, to say enough is enough in one voice. Not as Americans or Russians,
Christians or Muslims, but as fathers, mothers, brothers and sisters. Let
us destroy the lines between us and work to create a world where our
children are truly safe and free. Let us create a world where we can tell
our children that they can be and do whatever their heart desires, and know
deep inside us we are telling them the truth. Let our generation be the
We have the tools, we have the knowledge, we have the technology. It is
time we make the transition to a world, an economy, and a future we all
deserve regardless of geographic location or economic disposition. As long
as we rely on legacy systems defined in a 19th century mentality all we
will do is spin our wheels while a parade of economic and ecologic
disasters visits us again and again. It is time to pull the plug on this
charade because as you will find out, there is a better way.
We, the Zeitgeist Movement representatives, reach out to you so that we can
all work together to do what must be done. Every man, woman and child has a
voice, but together we can create one voice so deafening that no one will
have a choice but to listen. But it requires you. It requires you put away
preconceived notions you have been told about “the way things are” as
if it is the only way, because it’s not! Our way of thinking will no longer
sustain us. We can either remain in the house of cards we have built and
watch it collapse all around us, or we can, through the best our society
has to offer, begin to construct a stable mature and thriving society so
that the Gulf Coast Oil Spill, the Exxon Valdez and many others are nothing
more then an embarrassing footnote in history.
The choice is yours.
It’s been a pretty big week for uneasiness here in the good ol’ U.S. of A. What with Earth Day reminding us how screwed up we are – perhaps beyond repair, and twenty some people with rifles attempting to defend the Constitution, and Mercury in retrograde (how about all those missed connections with the volcanic ash across the pond?)…
It all kind of leaves us asking ourselves what Portishead asked in the 1990’s:
“How can it feel this wrong?”
Well, I ask myself that all the time.
But in honor of the occasion, we give you Loss of Eden Uncovered 003, where we perform what is really a pretty serious song…but still naked.
Please enjoy Loss of Eden’s cover of Portishead’s “Roads” with a bottle of responsibly organic wine to drown your sorrows, and be sure to recycle the bottle afterward. Stay mellow…ish. No rifle required.
by Ayesha Adamo
Last Sunday’s balmy weather had me sitting outdoors in Chinatown enjoying noodles, which wouldn’t be unusual – except for the fact that this is November and I’m in New York. In the seasonless grey of the city, marked only by the cramped signs and awnings of restaurants and shop windows, the disparity is less apparent. After all, the Yankees just won, and the spring-like weather seems in keeping with the overall mood of the city.
Back in NJ, it’s been three days of rain and grey. I wonder if we’re turning into England…or Seattle. Today it’s like a monsoon out there, with no crisp fall days in sight. Sure, Starbucks is still rolling out the annual offering of pumpkin-flavored coffee concoctions, but the other signs that it is, in fact, nearly Thanksgiving are missing in action.
Now, the official first day of autumn was supposedly on September 22nd this year, and fashion tells us to pack up our summer whites by Labor Day, but these practices seem to harken back to an earlier time. To be sure, the only autumnal reds and golds I saw in September were at the annual West Indian Carnival in Brooklyn.
So I look to my familiar childhood friend, the giant maple tree in my backyard, for some answers, but see only a colour unfamiliar to the season: green. Not the green of “going green,” nor the green that lines the wallets of those who benefit from nourishing the disposable nature of our society’s consumerism…This just might be the green of what is already out of our hands.